Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)



The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
B4 2/3 inch installed
Active EF mount also included
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
In-camera correction of color fringing when using compatible broadcast lenses.
13 Stops
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
64.62dB for 2160p
Ultra HD scaled from 5.3K
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
4 inch
LCD capacitive touchscreen.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3Kwindowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3Kwindowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1
1
1
1.5G, 3G, 6G, 12G.
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 12-pin Hirose Broadcast Lens Connector
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.

Integrated stereo microphone.
1 x mono speaker.
Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.
Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
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