RED V-RAPTOR 8K S35
V-RAPTOR™ 8K S35 is another addition into the RED® DSMC3™ generation of cameras. Building on the same architecture of the V-RAPTOR™ 8K VV, the V-RAPTOR 8K S35 offers a new shooting format while leveraging the improvements in color science and performance of its larger 8K VV predecessor.
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SPECIFICATION
V-RAPTOR 8K S35
| SENSOR TYPE | V-RAPTOR™ 8K S35 35.4 Megapixel CMOS |
|---|---|
| EFFECTIVE PIXELS | 8192 x 4320 |
| SENSOR SIZE | 26.21 mm x 13.82 mm (Diagonal: 29.63 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| MOUNT TYPE | Integrated RF mount with RF lens support Supports Canon EF lenses via compatible Canon RF to EF mount adapters Accepts other Canon RF mount-based lens adaptors for diverse lens choices |
| MAX DATA RATES | Up to 800 MB/s using RED branded or other qualified CFexpress media cards[1] |
| REDCODE® RAW MAX FRAME RATES | 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456) 140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024) 160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592) 192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160) 240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728) 320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296) 480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864) |
| BEST AVAILABLE REDCODE® SETTINGS | REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps |
| REDCODE® RAW ACQUISITION FORMATS | 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x 7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1 4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1 3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1 2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1 |
| APPLE PRORES | Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096 x 2160) Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) |
| CONSTRUCTION | Aluminum Alloy |
| WEIGHT | 4.00 lbs (without body cap and CFexpress card) |
| MEDIA TYPE | CFexpress Type B |
| BATTERY TYPE | Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1] |
| DC POWER INPUT | 11-17V via 6-pin DC-IN |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| STORAGE RELATIVE HUMIDITY | 0% to 85% non-condensing |
| COLOR MANAGEMENT | Image Processing Pipeline 2 (IPP2) Supports 33×33×33 3D LUTs Supports import of CDLs |
| AUDIO | Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz |
| AUTOFOCUS | Contrast and Phase Detect |
| REMOTE CONTROL | Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector Genlock, Timecode-in, GPIO and Ctrl (RS-232) via the integrated 9-pin EXT Port Wired control via USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing remote camera control, live MJPEG preview video feed and remote media offload |
| MONITOR OUTPUTS | Integrated dual 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC3™ RED® Touch 7.0” LCD Wireless 1080p live preview video feed via 2.4Ghz/5Ghz Wi-Fi for framing Integrated 2.4" LCD for camera control (no preview video) |
| RED CONTROL & RED CONTROL PRO | Access full camera controls and live preview from iOS or Android devices Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location. Standard app available from the Apple App Store and Google Play Store. RED Control Pro available via Apple App store only and requires additional purchase. RED Control works wirelessly or wired via USB-C |
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